Painting Knife, Large No. 10 with a 30 x 40 canvas in the background just getting started....

I purchased a set of four extra large Liquitex painting knives a couple of weeks ago and challenged myself to paint a complete large(30″ x 40″) landscape with each of them. I will share what I have learned as I work on the paintings.

The first painting will be completed with the Liquitex Painting Knife, Large No. 10 pictured above. For this landscape painting I selected a design idea from my most recent trip to Cozumel it is a view near the area called “el Mirador”.  A view of  the  blue Caribbean water interacting with the sharp ” iron shore” limestone  of Cozumel. For those who are familiar with this “wild” part of the Cozumel east coast this was a pretty calm morning.

So far The big no. 10 painting knife has performed well. The only problems I have encountered are related to me being right-handed.  There are areas on every canvas where I have trouble making right-handed marks.

first day color block-in in progress

As I complete the painting I will add a few more in-progress images and I will talk more about the tool.

Mixing color with the big knife is a pleasure it handles big piles of paint with ease and it feels good in my hand. I was able to mix and block in large areas of color in a short time. The “Scotch” in me makes me cringe at the quantity of paint I am squeezing out.  As I have progressed in this painting I have   struggled a bit with exactly what my marks should look like.  As I began refining areas of the painting it began to have the same “feel” as the Arch painting I completed a month ago so I have let it go in that direction something I called a “Van Gogh-esc” look .  It is an interesting form with the potential for color, linear and textural movement and rhythm.  It is a form that I think I will explore for a few more paintings.( Although I had a professor who admonished me not to paint this way after viewing a work with similar form that I tried as a student.)

end of the second session

The painting has continued to evolve as a series of dashes and blobs.  I have been able to create an interesting variety of mark shapes with the big  Liquitex No. 10 painting knife using the edges and tip. When I start my next (3rd) painting session I plan on adding a smaller trowel shape knife to help me break up and refine some of the lines in the design.

I have completed the knife work on the painting. I think it is finished. I will look at it in my studio for a few days to make sure. I am happy with the way the big knife worked since I only spent about 6.00 on it I can’t complain to much. I really liked the big handle it was easy to hold. I thought the knife had decent spring and it appears to be well built my only complaint would be that the bend or neck between the blade and the handle could be longer so it had a deeper drop so my knuckles could be further from the surface of the canvas.

I like the design, the yin yang , half  land half sea quality of the design. Like most artists when they walk away from a painting I know it is not what I had in mind exactly but the essence is there and I had the bonus of exploring the possibilities of a new tool. I can already imagine it on the south wall of my family room (at least for a few weeks).

The cool thing is I have three more big knives to try out! The next design may be drawn from almost the same location looking south as opposed to north.

Here are the first sessions result of my big Liquitex No. 13 painting knife test and review.

First painting session with Liquitex No. 13 painting knife

I liked the way I was able to mix and cover a 30 x40 canvas in 3-4 hours. The knife forces me to live with its marks. The similarity of the marks  gives a rhythmic quality to the application. Of course during this first session I am mostly trying to get the right color in  right location.

As for the composition I was just a little nervous starting this composition with so much sharp texture and contrast in the foreground. The rough and I mean ROUGH texture of the limestone “iron shore” should contrast nicely with the smoother,  lower contrast shapes of the water wave and sky.

I spent a couple more hours working on the painting with  the large  No. 13 knife and I will call it session two.  I like the mark making control this knife gives particularly for sharper edges and linear shapes.  I have been painting with oil paint for 30 years and I can’t believe that I have neglected to use this tool more often.  So far thumbs up for the big No. 13!

Session two with the big No. 13 Liquitex painting knife.

I am struggling a bit capturing the correct colors and values that I want …but that is what makes the act of painting so rewarding, solving the problems.

I Spent yet another morning with the big N0. 13 and this painting and I am still enjoying the somewhat random quality of the marks I can make with it. However, I think another tool will be needed to break up the regular squareness and edginess of the marks. I have come to the conclusion that it is a better painting tool than a mixing tool for me.

30 x 40 Cozumel study with Liquitex knife No. 13 (Painting Session 3)

The painting is coming together, this third session leaves the painting almost finished. I can only see a few changes that I would like to make and then I will  put this painting aside and begin work on my next big knife painting.

I returned to this canvas one last time with The Big No. 13 knife. I added more value and a bit of modeling in the foreground rock shapes.  I also touched up a few color/value transitions that were bothering me.  I am calling this painting complete.  I am happy with the big No 13 knife; the limitations it imposed on me were mostly positive. I will use it again!

"Cozumel east shore wave" 30 x 40 oil on canvas, by Stephen Bartholomew

My next oil painting in this knife review series will be a approaching storm cloud painting. Two years ago Rhonda and Jewel and I were on Cozumel and it was breezy and  I thought for sure we were in for some kind of storm. But the stormy clouds just hung out over the ocean; sending patches of clouds towards land which created an awesome display of light and shadow on the beach. In my mind I visualize  a simple painting so wait and see how it turns out. The Big Liquitex knife I will be using and reviewing for this painting is a rounded No. 2. It looks like a short necked pancake turner.

Liquitex No. 2 painting knife first session, the block in.

My first observation after using the No. 2 knife for a few hours is that  it is not a mixing knife for the palette! It performed better as a blocking in tool but it would not be my first choice for that task either. It is a painting knife When I started making subtle value adjustments and edges I found that the No. 2 performed quite well. I was able to manage vertical and horizontal edges better than I had expected based on the rounded shape of the knife.

My second session with the No. 2 knife went well. I was able to make some nice small small marks with the knife. My only concern with the painting is I have some value adjustments to make between the two large shapes in the painting so I need to decide how to proceed with transparency or opacity?………. I chose opacity.

"On The East Beach" 30 x 40 oil on canvas (not finished yet)

I modified the values in a couple of places and after an hour or so I  put down the big painting knife and brushed in a lone figure on the beach.

This composition is quite simple…. which means it may but tougher for me to complete. I will add the finished painting as soon as it is done. As for the No. 2 painting knife I thought it was very versatile as a painting tool and as I indicated above I could not mix with it.

Ok!  This is the last of the  Liquitex knife review paintings. I am using the Big No. 6 for this oil painting and again I am working a composition from the east side of Cozumel.  As I  blocked in the painting I determined that the No 6. was not an efficient mixing tool, so I did my mixing with the No. 10. I  found that the paint scraped on fairly easy on the bare canvas leaving a trail along one edge of the stroke no matter how careful I stroked. This characteristic I don’t see as a problem in my work but some painters might find the ridges annoying. I had excellent edge control (see the horizon). However, I did struggle with more organic shapes,  the angled, hard edged shape of the tool made it difficult .  Again, as with the No. 13 knife, I think the limitations may enhance the abstract or suggestive quality of the final product.  I came and added another layer of paint using the No. 6 knife.  I liked the way the knife performed.  The composition seems balanced and calm (like the morning I was there).  there are a few color changes That I may make  but all in all  I feel pretty good about the painting.

First Painiting session with the Liquitex No. 6 Knife. 30 x 40 oil on canvas.

Mirador Morning - Cozumel 30 x 40 oil on canvas by Stephen Bartholomew (almost done)

If you are interested in owning this or any other paintings in my blog or if you would like me to interpret your favorite scene contact me.  Check out the win a painting link before you leave. You may now purchase prints and cards of some of my painting s at  Fine Art America .

April sunset Cozumel island Mexico

I just returned from Cozumel for the third time. This trip was a little less of a tourist excursion and more of an artist excursion (although we did do a lot of snorkeling and a bit of scuba diving),  I spent more time on the wild east side of the island near the limestone arches at El Mirador and along the more serene beach at Punta Sur Parque west of the southern lighthouse. The Sea was calm(relatively) on both days.

As an art student  I read  about Van Gogh’s time in the south of France. I learned that  he was captivated by the light and color I am not sure I truly understood how that could happen until  my first visit to the  wild east shore of Cozumel with its vivid color contrast and bright tropical sun. The “Cozumel” light and color has had had a lasting impact on my ” painting Psyche”.  Hopefully in the weeks and months to come I can share some examples of Cozumel’s light and color as I feel and see it. The first struggle is finding the correct  pigment or color I have settled in with a couple of turquoise blues and greens along with my usual cobalt and ultramarine. I will see how the color in the next few paintings feel.   I am working larger “studio sized” works now. I made enough photographs and sketches for eight to ten large oil paintings while I was there. I have two underway in my studio now. One of the paintings really took on a VanGogh-esc feeling as I started to finish it. I really liked the way I was able to guide the paint around the water and rocks.  The painting I am referring to is of one of the arches near El Mirador on the east side of Cozumel.. I have included two photographs one of a sunset we enjoyed and one of a reef we snorkeled.

Beach View Cozumel 2011 #1, 20 x 30 oil on canvas

Arch View Cozumel 2011 #2, 20 x 30 oil on canvas

Wave View Cozumel 2011 #3, 20 x 30 oil on canvas

A bit of studio news… I shipped out another free painting to another lucky reader. She selected one of my ” Cozumel Wave ” paintings as her free painting. If you are interested in any of my Cozumel art  or having me create a painting from your  Cozumel photo contact me. I may give another painting or print away in the near future check the links at the top of my blog page for details.You may now purchase prints and cards of some of my painting s at  Fine Art America . To purchase any painting you see in my blog contact me .cozumel art

Punta sur reef, Cozumel, Mexico

9 x 12 oil on linen. "Cozumel Wave"

As I sat in my studio a few days ago I kept looking at the little knife painting I made of the southern tip of Cozumel last week and I really like it! It inspired me to look through my materials from Rhonda and I’s last trip and find another composition from which to paint. I looked through a bunch of fun photos and some drawings and I found enough material to put together this little composition. It had to move a few elements around but I really like what I ended up with.  Painting this stuff gets me all fired up to book a trip and head south! Unfortunately a trip will have to wait for a couple of months.  Along with relaxing and soaking up the sun and looking for inspiration I look forward to jumping in the ocean and peeking at the fish, turtles, coral and other undersea wonders. Snorkeling with a camera has become one of my fun new hobbies.

I will be giving a painting away in September of 2011! All you need to do is sign up for my news letter. Check back soon.

9 x 12 oil on linen "Cozumel Wave 2"

Well it’s been a couple of days and I painted another little painting from just about the same spot. My point of view is a little higher on the shore. I included a little sea lavender in the foreground. I love the sweet smell of the sea lavender as you dive along the eastern beach road.  On the west side of the Island there are some really big bunches of these near some of the resorts maybe I’ll paint a west side view next with some more sea  lavender shapes in the foreground.

One of my fun photos from our last trip to cozumel. The snorkeling is awesome!

9 x 12 oil on linen . "Southern Tip"

Well I got the little baby painted. I feel pretty good about it right now. I tried to solve the composition by using diagonal shapes to offset the flatness of the horizon.

I think its kind of odd for a landlocked artist to paint the sea that is a couple of thousand miles away. Maybe I just need to go back down there and spend a couple of days…or weeks.

Check back again I should have something new painted by Sunday. I can’t say if it will be Utah mountains, deserts or canyons.   It may even be another view of the Caribbean sea.

Enter to win a framed original painting!

An after thought …. I had a bunch of snorkeling video from my last trip to Cozumel so I put it together to use it for the Photography courses I teach.Here it is …

Knife painting allows me a textural or tactile quality that I rarely find with a brush.

As I have stated before,  I was awe struck with the powerful beauty of the Caribbean Sea pounding the east shore of Cozumel, Mexico. I can’t help but try and capture it. This knife painting gave me something….. now I need to build on it.

I have not forsaken my Moab and Arches work in fact I feel that the same energy I get from the palette knife in the beach painting may help me in the Arches.

Enjoy the video its in HD! ( Thanks to Daniel) Watch my Ebay store for smaller plein air works and a couple of mid sized works. Contact me if you are interested in any work on this site.

I painted another smallish Cozumel  beach study this week. This one is a little view on the west side of the island. The west side of the island is home to the awesome Cozumel snorkeling reefs the water was much calmer on the  west side when I was there although was rarely as calm as I painted it here.  I love how blue and transparent the water is I can’t wait to put on my snorkel and enjoy the view. This painting may appear to be complete but I am calling this one a work in progress. I like to work alla prima,  completeing the work all in one sitting on something of this scale 12 x 16 inches. However at times a painting just needs more and that is what this little blue-gray gem is telling me it needs more, I just need to decide what that is.

When I go back to Cozumel this spring I plan on doing a few watercolors in my spare time (If I have any). I will be posting a few warm up watercolor sketches in the next month or so so check back and find out whether I can remember how to watercolor.

Temple of Posideon (1989)

The last serious watercolor sketching I did was in the late 1980′s while I was traveling in Greece and Italy. I have included a photo of a watercolor painting I did at the temple of Poseidon on that trip. I sat on a big old block of marble for an hour or so and made this 12×10 painting. It was a beautiful sunny day the sun was glistening out on the Mediterranean sea or the Aegean I can’t remember my geography that well but,   I remember the sunshine  because I wrote about it in my sketch book.  I hope you will check back soon. Check out the  small paintings I have for sale on Ebay.  I you would like to own any of the paintings you see in my Blog or on my site e-mail me for details.

Cozumel Surf #1

Some time this spring Rhonda and I are headed back to Cozumel. Last year when we went I did not expect to see the island with my artists eyes  I thought I would see it with my tourist eyes. My first surprise was how beautiful the water was from the air and from the beach and finally through a snorkel.  I was captivated by the experience of snorkeling above the reefs on the west side of the island.  I have tried to imagine how I could paint something that could capture that undersea feeling.  My efforts as a photographer may be how I express the snorkel experience.

Chub Express

The amazing experience from the trip was the absolutely sublime feeling I had when I first saw the east beaches of Cozumel.  I was nearly breathless.  I have stood on the edge of thousand foot cliffs where I could see more than a hundred miles.  I have seen hundreds of spectacular and sublime views of the Colorado Plateau. Maybe it is the fact that I have only had brief encounters with the ocean, but I fell in love with the color, the smell and power or the Caribbean surf on the east side of the island.  I have completed a dozen small paintings and a couple of large ones based on the little research I did last year.  The little 11 x 14  studio work which I  included in this post, I just completed. I can hardly wait to stand on that shore and soak it all up again with the eye of an artist.  Watch ebay this little painting will be offered up for sale or auction soon. ( I need to Pay for the trip)

I attended a Photography workshop this week in Kamas, Utah. The scenery and company were great! I was able to work in my studio a bit. I am still working on the colors and textures I saw and felt in Cozumel. I included two pictures of paintings from this week one is my view from the area of Palancar reef looking east towards Cozumel. The other is a beach view from the east side of the island looking north. This coming week I plan on painting a bunch so check back and see where in the world I find myself painting.